Cairo (94), Conflict and
Dreams (98)
Sort of vaguely ELP-like but still original sounding full on jamming prog band with fairly heavy spiritual imagery and themes in the music. If you like Echolyn you'll enjoy Cairo. The keyboardist is amazing, and the rest of the 5 piece band is great as well. Songs like Seasons of the Heart (And when its time for me to go, I pray that I will know - love will carry me, out of this darkened world..into the light. Within the sands of reason there runs a spring eternally, below the waves of sorrow there burns a flame that never falters..) from the first album and Valley of the Shadow from C&D (I will fight for my gracious King, yes give my life through the valley of the shadow..) certainly have a positive feel, and the lead vocalist, Bret Douglas (who sounds a little like the guy from Toto or John Elefente) profusely thanks God in the liner notes. He claims to be a follower of Christ, but some of his theology is a bit new age (he believes in reincarnation, for instance). The keyboard player, Mark Robertson, is also rumored to be a Christian. Cairo puts together vibes from all the prog groups I love and manage to carve out a sound of their own. After a while it does tend to get overwhelming at times and starts to sound a bit the same. Can something be too progressive? The recording quality is quite good too. Available on Magna Carta records, and their web site is on the Magna Carta site. Syn-phonic carries their CD's as well. {dt}
Canarios, Los (Spain)
Ciclos (75)
This 73 minute progressive classic album is a extremely creative adaption of Vivaldi's The Four Seasons. Its a genre-bender, mixing prog/jazz/blues /opera and avant-gard classical music together into a symiotic masterpiece. It is listed on numerous prog-snob pages as one of the greatest prog albums of all time. I havn't heard it and am not quite sure what the spiritual tie-in is. Read some other reviews at: http://www.progreviews.com/reviews/cana-cic.html
Casino
A one-off concept album featuring The Reverend Geoff Mann and keyboardist Clive Nolan from neo prog band Pendragon. Mann wrote the lyrics and sings in his wonderful quirky style. It's an allegory about a spiritual being who sacrifices himself to deliver those in bondage to gambling at a casino, set over a really tasty keyboard heavy neo-prog back drop. If you like Genesis or Twelfth Night, you will love Casino. See also Geoff Mann, Twelfth Night and a web site with lyrics, etc. at: http://www.lucid.co.uk/verglas/verglas/casino/casino.htm . Available for sale through Pendragon Merchandising, USA: http://www.pendragonusa.com. {dt}
Angels and Demons
Older Genesis sounding true prog band from Mexico. The lyrics are available to read at http://www.1russ.com/cast/angdem.htm, and they are fairly theologically accurate if a little uneven, and they lift up Christ. Their other albums aren't particularly spiritual, as far as I know. {dt}
Stained Glass Stories
I have only heard two mp3's of this older Yes/Crimson type classic prog album that is supposed to contain many spiritual references to the messiah. It is classic prog in the Yes style musically, and it is very popular among the prog snob elite. Don't confuse Cathedral with the heavy metal band or the newer neo prog band of the same name. Available from Synphonic.
Catley, Marc (UK)
Classical Acoustic Rock (1986); The Peel Tower Hop (1987); In Difference (with Geoff Mann) (1988); The Off The End Of The Pier Show (with Geoff Mann) (1991); Fine Difference (With Geoff Mann) (1992); Make The Tea (1992); The Peel of Hope (1992); Hot Air For Jesus (1993); No Tomorrow (1994); November (Paley's Watch) (1994); (w/ The Flaming Methodists) Char
English progressive guitarist and sometime collaborator with Geoff Mann. A lot of various styles of albums, some instrumental, some experimental. See also his progressive band Paley's Watch, who released a fine Renaissance-like album called November. The Off the End of the Pier Show is a progressive instrumental album of jangly guitars and repetitive themes. His album, Char, with the 'Flaming Methodists' is an satirical look at the modern church, in prog-rock trappings. The Paley's Watch team joins him, and it's quite humorous, with some really off-the-wall British comedy thrown in. Marc has a great website with lots of humorous information plus Plankton records titles available for sale here. For more information about British Christian prog music, see this site that details the history of Plankton Records: http://freespace.virgin.net/third.bass/plankton.html {dt}
Champion Birdwatchers (USA, ID)
The Inconsolable Longing (98)
Imagine if prog had evolved from the "alternative" rock of c. 1991 rather than the psychedelic rock of c. 1968 - it would sound different, but there would be certain commonalities. Champion Birdwatchers are an Idaho quintet who augment the basic guitar-bass-drums rock instrumentation with cello and occasional flute, and the drummer uses things in addition to the basic drumkit. At moments the texture is reminiscent of mid-70's King Crimson (the guitar-cello textures bringing to mind Fripp & Cross on guitar & violin), and then there's a hint of Gabriel & Hackett - but only a hint, because more prominent than Gabriel in the vocals is the early-90's sound of Eddie Vedder and Kurt Cobain (and Wetton is a more appropriate 70's comparison most of the time than Gabriel). But it is the subdued side of the 90's rockers which predominates, because the disc is very introspective, sounding like something eavesdropped upon in a living room rather than a self-conscious performance. Compositionally, their songs tend to remain centered around a tonic (which they even indicate in the titles of the songs), but they don't use a lot of typical chord progressions from 18th-century European classical music or any folk mode known to me - sometimes they'll be droning around the tonic plus its minor subdominant plus a few other less conventional chords, for example. It's not expressionistic, wild improvisation, nor is it what is usually called "minimalism" in classical music circles, although one could say that it sounds minimalistic next to the 70's KC. Maybe this is what people call "post-rock" - sort of like the Minutemen strung out at 16 2/3 rpm? Stark and confessional -- lyrically and theologically, the band has been heavily influenced by C.S. Lewis, and the surrealistic overlays of watercolors, Lewis quotes, and psalm fragments on the cover art add a dimension to the album (although not conveying the starkness of the music before you hear it). {Virginia Landgraf)
Up from the River (99)
Moody Blues influenced art rock, somewhat prog in its instrumentation and vocal arrangements. Layered keyboards, and a voice not unlike Ian Anderson of Jethro Tull, mixed with Long Distance Voyager era Moody blues stylings. I have the first album, which is a little slow but still enjoyable. Lots of layered mellotrons, and intelligent lyrics. He sells his albums for cost, which is $2 plus shipping, so its not a bad deal. See his web page at: http://www.robertcoates.com/ He also has mp3's at mp3.com {dt}
Collaboration Element (USA)
The Science of Music (coming soon)
The Collaboration Element is a Christian progressive rock instrumental band out of Dayton, Ohio, playing music which combines the progressive rock elements of 70's bands like Yes and Kansas with the more modern prog rock influences of bands like Dream Theater/Liquid Tension Experiment, Rush and the Dixie Dregs. The band consists of Greg Jones on guitar and Jason Macintosh on drums. These guys don't have a CD yet, only some poorly recorded live sound clips. But even at that, they show tremendous promise, especially if you dig tight hard progressive instrumental music a'la Liquid Tension Experiment. Good musicianship, nice chops, tasty stuff. I hope they can get into a studio someday, it will doubtless be impressive. Sound samples and ordering information are available on their website at: http://www.geocities.com/collaboration_element/
CPR - Christian Progressive Rock
Volume 1 (04)
A compilation of spiritual progressive rock's finest bands, CPR Volume 1 contains two discs with over two hours of epic songs from eighteen different artists. This is the place to start if you are exploring the Christian Progressive Rock genre for the first time.
You'll hear a new song from the pioneering band Ajalon, What Kind of Love, with special guest Rick Wakeman laying down his trademark lightening-fast keyboard solos. You'll hear epics from prog stalwarts like Glass Hammer, Salem Hill, and Neal Morse, some of the finest music you'll find anywhere. You'll also hear a brand new song from Kerry Livgren and Proto-Kaw, the band that spawned Kansas. America Gomorrah showcases a lively, unreleased tune about Mary and Martha called Two Sisters. Dave Beegle of Fourth Estate lets loose his considerable guitar chops on the middle-eastern-flavored instrumental Kara Kum. Popular newcomers Akacia introduce Postmodernity, a 70's style prog gem infused with Steve Howe-like guitar riffs. Divine-in-Sight, a bass-heavy power trio for fans of Rush and Yes, tear things up with Viper's Brood, part of their stellar concept album Sorrow and Promise. Ten Point Ten, a popular band renowned for their Transiberian Orchestra-like Christmas tunes, shows they know how to bring prog to the masses with one of my favorites from the disc, The River, a song, to my ears at least, seems inspired by early Genesis. And the unheralded but talented newcomers on the disc shine as well. Navigator, Revelation Project, Vertical Alignment, Theophonic Cloud, Eric Parker, Everlasting Arms, Shadowstar, and Dwight Mitchell all deliver compelling songs of faith and fine musicianship.
An album this rich in incredible music is a steal for $16, so grab a copy before they sell out. For more information on CPR and the bands involved, go to http://www.cprogrock.com .
Crow, Robin (USA)
Electric Cinema
Kerry Livgren guests on this instrumental album featuring a three-song tribute to Robin's favorite bands, Yes, Pink Floyd, and U2. Nothing too adventurous, it is still enjoyable fare, containing some tasty guitar and only suffering from the 80's lazy keyboard sounds. If you like Livgren's instrumental albums, you'll like this. Crow's other albums are mostly mellower, although I've only heard Creator. Robin recently recorded some stuff with Jon Anderson of Yes and Phil Keaggy for an upcoming release. {dt}